1. The artworks of Pahari School of Miniature Painting were based on the divine themes of: i. Ramayana ii. Rasik Priya iii. Geet Govind iv. All the above
2. Assertion (A): Our mentor guides us in understanding the profundity of the Supreme God, as seen in the painting Hazrat Nizamuddin Auliya and Amir Khusrau. Reason (R): By obeying our Guru, we can build a peaceful and prosperous society. i. Both A and R are true, and R is the correct explanation of A ii. Both A and R are true, but R is not the correct explanation of A iii. A is true but R is false iv. A is false and R is True
3. The use of painting faces in side profile became the hallmark of: i. Tribal Paintings ii. Company Paintings iii. Bengal School of Painting iv. Miniature Paintings
4. The painting ‘Nand, Yashoda, and Krishna with kinsmen going to Vrindavan’ reflecting the leadership qualities of a youth by voluntarily taking responsibilities at a crucial moment is painted by Miniature Artist: i. Nihalchand ii. Nuruddin iii. Nainsukh iv. Nandlal Bose
5. Assertion (A): The Mughal School of Miniature Painting used decorative borders to enhance the beauty of the paintings. Reason (R): Artists of Mughal courts used floral motifs and gold to make their painting look royal and full of grandeur. i. Both A and R are true, and R is the correct explanation of A ii. Both A and R are true, but R is not the correct explanation of A iii. A is true but R is false iv. A is false and R is True
6. The painting ‘Bani Thani’ is an epitome of elegance showcasing the quality of: i. Childhood ii. Womanhood iii. Fatherhood iv. Brotherhood
7. The highly realistic painting of Mughal School named ‘Falcon on Bird Rest’ with Devanagari Script was made under the patronage of the King: i. Aurangzeb ii. Jahangir iii. Akbar iv. Babur
8. Influenced by European artists, Amrita Shergill’s contemporary yet deep-rooted values of Indian origin enabled her in expressing injustice, dejection, and pity towards rural Indian women through the simple use of: i. Subject matter ii. Compositional arrangements iii. All the above iv. None of the above
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